Journal of Popular Music Studies Special Issue on Girls and Popular Music

Guest editors: Sarah Dougher and Diane Pecknold
7,000-word articles due September 1, 2015

The Journal of Popular Music Studies invites submissions for a special issue on Girls and Popular Music. Beginning with the publication of Angela McRobbie’s work on the bedroom music culture of British girls, popular music has been a core aspect of the emergent field of girls’ studies. Conversely, attention to the musical practices of girls and to constructions of girlhood and female youth have revised our understandings of the ways popular music as a whole is produced and consumed. Kyra Gaunt’s discussion of the ways girls’ rhyming and chanting games reflect and reshape the same principles of black music-making as commercial hip-hop; Norma Coates’s suggestion that teenyboppers and groupies provided the foundational low Others against which rock culture secured its own credibility; and Gayle Wald’s interrogation of girlishness as a performative resource through which adult women’s position in popular music is established are only a few examples of critical role real and figurative girls play in shaping popular music and scholarly approaches to it.

In recent years, however, the relationship between girlhood and popular music has undergone significant shifts. The rapidly changing sphere of media and media access is often characterized as a threat to girls, both in terms of morality and productivity, but at the same time it offers them newly visible roles in the music economy as child stars, amateur musicians, and YouTube personalities. New technologies such as mobile recording, social media, YouTube, and blogging as well as new institutional structures, such as digital music distribution, the formalized tween music industry, and the rise of girl-serving organizations based on musicking call for a re-examination of the ways girlhood and female youth are constructed and experienced through popular music.
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